Tag Archives: punk rock

Strange Homes [Review]

Strange Homes - Mallory

If you carry on following this blog, you’ll notice a few reoccurring themes. One of which is that I fucking love punks with banjos/mandolins/accordions. Seriously, recommend a band like that and there’s a 99.9%* chance I’ll like them. What can I say? I’m set in my ways…

So, that said, it’s not entirely surprising that when I stumbled over this album, I knew about 6 seconds into opening track ‘The House You Were Raised In’ that I was going to enjoy it. The track features guest vocals from Sofia Albam, who also plays in Sons Of  An Illustrious Father (who you should also check out and I will most likely review soon, see: http://www.myspace.com/sonsofanillustriousfather ). Throughout the album there’s fantastic use of vocal harmonies, or, to use more punx terminology, gang vocals.

The lyrics are spot on in terms of balancing and combining the political and personal, which is refreshing, because as much as I love a protest song, they can sometimes feel more like being shouted at than something to relate to.  The overall charm of the band means that they get away with recycling certain lyrical conventions of the genre (burning buildings, pipe bombs, hopping trains, I’m sure coffee must be in there somewhere) without coming across as a parody of a folk punk band. Clichés aside, the vast proportion of the lyrics are interesting enough to be worth trying to decipher, even in the parts where they get slightly overshadowed by the general musical chaos. Musical chaos meant in the best possible way!

Although the album is undeniably catchy and sing-a-long-worthy while you’re listening to it, I found that it took a few listens before any hooks jumped out as memorable, but I think that’s actually a good thing and stops the album seeming shallow. My main criticism is that there could be more variation between songs, but from what I gather the band are all pretty young and haven’t been together that long, so I’d assume that with time there’ll be greater experimentation, and possibly more variation in sound.

Overall, a really promising album from a band with a great amount of talent, and great ethics to match, who are definitely worth supporting. You can download the album (and everything else they’ve produced) for free at:

http://malloryband.org

http://www.myspace.com/mallorytheband

*It’s not 100% because I wasn’t sure if Against Me! had ever used said instruments, and didn’t want to take that risk.

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It’s not us, it’s you…

So, there’s a blog post doing the rounds at the moment, seems to be every other link I click on, which is Tom Gabel from Against Me! defending their new song, ‘I Was A Teenage Anarchist’. I’m not going to link to the song, because if you’re reading this I probably like you, but to give you an idea: it wouldn’t sound out of place on a U2 album. I’ll link to the blog post because it’s unavoidable: http://ifeelsicktomystomach.blogspot.com/2010/05/i-was-teenage-anarchist.html Shit, just realised the song is on that page. I’m really sorry.

I know every anarchist on the internet is busy deconstructing this at the moment, but I’m going to go for it anyway. I’d like to say first that I’m not a disgruntled, betrayed, former Against Me! fan. By the time I was getting into that type of music they were already signed to Fat Wreck and on the road to generic pop rock. It might have been different if I’d heard them when they first released ‘Baby, I’m An Anarchist’, but I didn’t, so it isn’t. First off, I’d like to congratulate Tom on his justification of police brutality against himself:

Next thing I knew one of the cops had grabbed me by the neck, twisted my arm behind my back and started dragging me over towards their parked cruiser. They slammed my face down onto the sun-baked trunk of the car., kicked my legs apart and started going through my pockets. Every time I tried to get my head up off the burning trunk it was slammed back down harder. After a long and immature verbal exchange, most of the immaturity being on my part (I think the words “fucking” and “pig” were used quite a lot if I remember correctly)

Now, I have no doubt that he probably was fucking annoying. But he’s been followed by two cops, obviously picking on a teenage kid cos they can, and comes away thinking HE’S the most immature? Read the whole account and make up your own mind, but I think it’s disgustingly disrespectful to victims of police brutality to imply that he deserved what happened cos he swore a few times.

That wasn’t the main point of this though. The point was, that although I have respect for a lot of the stuff that Tom mentions he did when he was younger, it’s a case of  ‘if you’re not now, you never were’. The fact is that no matter what way you look at it, Against Me! have betrayed everything they claimed to stand for. In general, I don’t really give a shit about bands getting big and signing to major labels. It’s just a bit unfortunate when you spent the first half of your career claiming you never would.

Which leads me to the title of this post. IT’S NOT US, IT’S YOU. Yes, there are always people in activist circles who are fucking idiots and demonstrate the exact opposite of what it should be about. But, where I get a bit unclear, is how this justifies doing nothing, renouncing your ideals and signing to Warner Bros?

I feel like the revolution sold to me when I was a teenager by the punk scene, by the Anarchist scene was a lie. The real revolution was the political awakening. That initial spark that made me want to change the world. And that’s what I’m interested in, maintaining that fire.

If he ever felt like he was ‘sold a revolution’, he missed the point to start with. The beautiful thing about anarchism is that if you can find two anarchists who have exactly the same politics, you probably haven’t found two anarchists. I’m not sure whether Tom’s in a position to pass judgement on a movement he clearly never understood. He’s reduced that movement, incorporating everything from striking workers, to the black bloc, to people planting community gardens, down to his limited experience of the anarcho-punk scene in one part of America. The constant conflation of the anarchist and punk scenes as one and the same really doesn’t work. I got fucking sick of the punk scene pretty quick because yeah, it’s full of people who think anarchy means you can get drunk all the time and be an inconsiderate asshole. I could have dismissed it and left it there, but I knew there was more to it than that. And yeah, in the anarchist scene there are people who think they’re right, everyone else is wrong, they have the answer. The problems are nothing to do with punk or anarchism though, you’ll get people like that anywhere, whether or not they try to justify it with their political position. Maybe Tom didn’t spend enough time outside these circles to know that everyone else is exactly the same?

It also seems like pretty convenient marketing for the band. They clearly lost most of the anarchist and punk communities  back when they signed to Fat Wreck, and the remaining few when they signed to Sire. They had their tyres slashed, van graffitied (‘REMEMBER WHEN YOU MATTERED?’), and there was an article in Maximumrocknroll advocating pouring bleach on their merch table. Against Me! have a lot of reasons to hate ‘the scene’. But, if they hadn’t got signed to Fat Wreck, and could continue leaching off it, I’m sure they wouldn’t hate it. After all, if it was always just a fashion, might as well. One of the excuses they first used when signing to a major was that it would spread the message to more people. Clearly that meant the message that anarchism is a childish phase that we all need to grow out of! That’s…helpful. To be honest, if the band had stayed on an independent label, but renounced anarchism, nobody would care as much. Likewise, if they’d gone down the major route, but kept their ideals and continued to ‘spread the message’, yeah they would still have seemed like hypocrites, but it would have seemed more justifiable. As it is, it just seems like, and I really didn’t want to say this, but, selling out. Renounce your politics, make your music into generic stadium rock, and, hey presto! You make loads of money. It’s a tried and tested formula.

It’s not “heresy for an anarchist to say ‘FUCK Anarchy'”. However, Tom, when you say it after supporting Obama in the last election, it’s a bit different.

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Adults!!!…Smart!!! Shithammered!!! And Excited By Nothing!!!!!!! [Review]

Adults!!!...Smart!!! Shithammered!!! And Excited By Nothing!!! - Bomb the Music Industry!

I actually only found out about this EP a couple of days ago, because I went on the Bomb The Music Industry! website because I was gonna use them as an example for the anti-copyright post. Anyway, I didn’t, so now I’m just going to review it.

I have a bit of a weird relationship with BTMI!, mainly that I love about 20% of their stuff, but think the rest of it is pretty meh. Not sure how that happens but there you go. This EP was no exception, which when there’s only 7 songs on the whole thing is a bit unfortunate. The first song ‘You Still Believe In Me?’ pretty much sounds like Generic BTMI! Song 101. Not bad, but nothing special. ‘Planning My Death’ is a livelier ska punk number, nice brass section, but drags on a bit (at 1 minute 57)…

Quite enjoyed ‘Slumlord’, but it made me realise the other thing I feel this record is lacking, compared to some of the earlier stuff, which is genuinely witty lyrics. I appreciate the sentiment of ‘All Ages Shows’…but I got bored. I have nothing to say about ‘Big Ending’ except that it made me want to turn off my computer. Now for some positivity (not in a Good Clean Fun way..)! In general I’m not fond of the overly catchy chorus, it’s sort of the lowest common musical denominator. But, after what felt like an endless sludge of trumpets/synths/shouting that I’d sort of stopped paying attention to, ‘The First Time I Met Sanawon’ was a welcome break, and is by far my favourite song on the EP. NO FLAKING NO LEAVING!  Quite enjoyed the epic-ness of the closer, ‘Struggler’, but it’s not amazing…

I would like to say that I have a lot of respect for Bomb The Music Industry!/Jeff Rosenstock in general, in terms of ethics and making bizarre unclassifiable music in a scene which has a tendency to repeat itself. The EP (and every other BTMI! album) can be downloaded for free on http://www.bombthemusicindustry.com

Oh, and here’s a lot of people who disagree with me… http://www.sputnikmusic.com/soundoff.php?albumid=47722

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